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Guinea pigs, pigeons, and other and larger live stock, normal or otherwise, masqueraded as marvellous creatures from foreign lands.,

That preliminary march was not without adventure. The “howdah” on the White Elephant where May Nell rode as the Fair Princess of Bombay, became loose and threatened to spill its small bit of royalty. And when Harold cinched the thing tighter the old cow bellowed so the smaller children broke and ran. However, they were soon back, and the procession halted at Mrs. Lancaster’s front gate in fair order. But when she saw the imposing string of wagons, children, and animals, known and unknown, she was afraid to trust her precious Buzz to them.,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,

Billy hurried away, and arrived at his home before the hack, bread and cream safe in spite of threatened dangers.

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Out of the tail of her eye Betty noted this little touch of sentiment and was much impressed.,

“You have, you have, dear baby! I’ll be your mother, and you can call me ‘mamma’ as Billy does.”,

“I was ten in January, the twelfth,” May Nell replied, with no pride in her tone; she was always older than those of her size. Yet she was not prepared for the gasps and backward movement of the twins.,

“Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.”